Synthesizers That Are Compatible With Audacity
By Seamus Islwyn
Although the open source Audacity audio software is primarily designed for audio editing rather than sound design, you can also use the program to create relatively simple synthesized sounds. Software instruments in the VST and AU formats are not compatible with Audacity; however, several synthesizer plug-ins in the Nyquist and LADSPA formats are available for the program. You can also use Audacity's built-in sound generator as a subtractive synthesizer.
The Computer Music Tools plug-in library for Audacity includes perhaps the most sophisticated synthesizers available for the program. CMT's Analog synthesizer plug-in allows you to set its two oscillators to produce sine, saw, triangle, square and full waves; you can then modify the sound wave with the synthesizer's low-frequency oscillators and attack-decay-sustain-release envelopes. The CMT library also includes a virtual instrument that simulates an organ, as well as a drum synthesizer and a phase-modulated synth plug-in.
Several synthesizer plug-ins written in the Nyquist programming language are available for Audacity. KLSTRBAS is a simple bass synthesizer that runs in Audacity, while the Risset Bell and Risset Drum plug-ins generate synthesized tones that sound like a bell and a drum, respectively. The RNDTONE Audacity Nyquist plug-in synthesizes random sound waves.
The CAPS plug-in suite contains several simple synthesizers that are compatible with Audacity. The single-VCO synth produces a simple triangle, saw or square sound wave, while the dual-VCO synth generates two sound waves simultaneously, then allows you to change their pitches and synchronize them together. The CAPS suite also includes the Lorenz and Roessler fractal synthesizers, which generate sound from mathematical algorithms.
Although Audacity does not include a synthesizer per se, you can use the program's built-in sound wave generator as a simple subtractive synthesizer. For example, to make a synthesized bass sound, click "Tone" in the "Generate" menu and set the "Waveform" menu to "Square." Enter a low frequency --- around 100 Hertz --- and click "OK." Duplicate the generated wave, use the "Change Pitch" effect to detune the second wave slightly, then rejoin the waves into a stereo track. Apply a low-pass filter to remove the high frequencies from the synthesized bass sound.
Seamus Islwyn has been writing for radio, print and online publications since 2003, covering subjects from independent Canadian music to automobile smuggling in the Balkans. His work has appeared in the "Tirana Times" in Albania, and he also composes and produces electronic music. Islwyn holds a Bachelor of Arts in English from McGill University and a certificate in radio broadcasting from Humber College.